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The Albanologist Maximilian Lambertz (1882–1963) preferred a connection with the Albanian shqipe or shqiponjë ("eagle"), which is the symbol of Albania.The latter explanation may, however, simply be a folk etymology or constitute the reason why Albanians identify themselves with the eagle.Also related to this basic root are the Turkish and Greek words for Albanians and the Albanian language.

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The gender and religious discrimination rampant in traditional Gheg Albanian society was absent from traditional Tosk Albanian society, where women were and are seen as equals.

Women are expected to be faithful to their husbands, but married Albanian women are considered the property of their male spouses.

Instead, ordered by Gur’s mayor Uka, Lushe gets excluded from the village’s life.

The reason: in the eyes of Uka and most of the villagers, Lushe stained the honour of the village by making her own tragedy not only a movie about raped women during a war and how they are treated in the aftermath of conflict.

Two years ago, her husband remarried a German woman.

Not only did Valbona, mother of their four children aged four to 11, know of his plan, she approved it.Albanians can be divided into two cultural groups: the northern Albanians, or Ghegs (sometimes spelled Gegs), and the southern Albanians, or Tosks.The geographic border between the two groups, based on dialect, runs roughly along the Shkumbin River, which flows through the central town of Elbasan to the Adriatic Sea.However, once the men have gained permanent residency in their host country – after five years of marriage to a citizen in Germany - they often demand a divorce.Valbona is confident that her husband will do the same: leave his new wife after three more years and return to Kosovo to take her, and the children, to a new life in the affluent West.Gheg Albanian culture is based on the 500-year-old Kanun of Lekë Dukagjini, a traditional Gheg code of conduct, where the main role of women is to take care of the children and to take care of the home.

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